www.arnoldkoroshegyi.com
E D U C A T I O N
2006 Master of Fine Arts, The University of Western Ontario, London
Concentration in Photography and New Media
1992 Post-Graduate Diploma/The Art Institute, Capilano College, British Colombia
Concentration in Printmaking
1991 Bachelor of Fine Arts, Queen’s University, Kingston
Concentration in Printmaking, Installation and Photography
Minor in Art History
S O L O E X H I B I T I O N S
2016 Electroscapes | Platform Arts, Belfast, Northern Ireland
Colour photographs and interactive sculpture. Curated by Iolanda Rocha
2012 Unfinished Projects | Foundry Art Center, St. Charles, Missouri
Colour photographs. Curated by Brooke White
2008 Artifice | Gallery 1101, University of Southern Illinois, Carbondale
Colour photographs and digital prints
2006 Artifice and Artifact | McIntosh Gallery, London, Canada
MFA Thesis Exhibition: Colour photographs, digital prints, scanner camera
2000 Half-Frame | Extend Media Gallery, Toronto, Canada
Black and white photographs
G R O U P E X H I B I T I O N S
2020 Walkabout|Midwest Center for Photography
Wichita, Kansas. Curated by Linda Robinson
2017 Landscape, Grand and Personal|the South East Center for Photography
Greenville, South Carolina
2016 The Absence of the Origin of its Likeness|Open Space Gallery, Victoria,
British Columbia. Colour photographs, video, Curated by Lynda Gammon
2016 Shuttered|Workers Arts and Heritage Centre, Hamilton, Ontario. Colour
photographs. Curated by Tara Bursey
2016 The Gift You Never Wanted | Non-Fiction Gallery, Savannah, Georgia.
Colour photographs. Curated by Alexandra Chamberlain
2015 Data Rush| Noorderlicht Photo Festival, Groningen, the Netherlands,
curated by Wim Melis and Hester Keijser
2015 The Open West | the Wilson Museum and Gallery, Cheltenham,
England, Curated by Lyn Cluer and Sarah Goodwin
2012 COLLISION 17: TRANSFORMER | Axiom Center for New and Experimental
Media, Boston. Group exhibition with Natalie Andrew, Ryan Boatright, W.
Benjamin Bray, Sophia Brueckner, Alicia Eggert, Juan Escudero, Joseph
Farbrook, Antony Flackett, Ben K. Foley, Rob Gonsalves, Lori Hepner, Wei-
Ming Ho, Faith Holland, Annette Isham, Victor Liu, Andrew Neumann, Bob
Kephart, Jean-Michel Rolland, Mark Stock, Wayne Strattman and Topp &
Dubio. Curated by William Tremblay and Georgina Lewis.
2011 EXPOSED. Contact Photography Festival | The Gladstone Hotel, Toronto,
Ontario. Colour photographs. Curated by Britt Welter-Nolan and David
Brown.
2011 Sorting Daemons: Art, Surveillance Regimes and Social Control| Art
Gallery of Mississauga, Mississauga, Ontario.
Video, 6 minutes. Group exhibition with Brenda Goldstein, Antonia
Hirsch, David Kemp, Tran T. Kim-Trang, Germaine Koh, Ian Verchere,
Ruthann Lee, Michael Lewis, Jill Magid, Walid Ra’ad; Kathleen Ritter, David
Rokeby, Tom Sherman, Cheryl Sourkes and John Watt. Curated by Jan
Allen with Sarah E.K. Smith.
2010 Sorting Daemons: Art, Surveillance Regimes and Social Control| Agnes
Etherington Art Centre, Kingston, Ontario.
Video, 6 minutes. Group exhibition with Brenda Goldstein, Antonia
Hirsch, David Kemp, Tran T. Kim-Trang, Germaine Koh, Ian Verchere,
Ruthann Lee, Michael Lewis, Jill Magid, Walid Ra’ad; Kathleen Ritter, David
Rokeby, Tom Sherman, Cheryl Sourkes and John Watt. Curated by Jan
Allen with Sarah E.K. Smith.
2010 Reset |Department of Art and Design, Grand Valley State University,
Grand Rapids, Michigan. Curated by the Curatorial Studio.
2009 Photography Unlimited | Foundry Art Center, St. Charles, Missouri
Colour photographs. Curated by Brooke White.
2009 awashawave | Blackwood Gallery, University of Toronto at Mississauga
Video installation. In conjunction with CONTACT Photography Festival and
Images Film and Video Festival. Group exhibition with Louis Fortier,
Antonia Hirsch, Young-Sup Kim, Diane Landry, Michael Snow, Kelly Wood.
Curated by Christof Migone.
2008 Four Feet: The Proxemics of Personal Space | Gallery RFD, Swainsboro,
GA, U.S.A. Colour Photographs. Curated by Zig Jackson.
2007 Nuit Blanche | Kensington Art Project, Toronto
Photographic installation “Archaeology of 26 and 28 Oxford Street.”
2007 Image and the Apparatus | Museum London, Ontario, Canada
Large scale digital prints and scanner-camera. Group exhibition with
Diane Bos, Donald Lawrence and Andrew Wright. Curated by Melanie
Townsend.
2005 Normal Density | Artlab, University of Western Ontario, London
Colour Photographs.
2005 The Association | Artlab, University of Western Ontario, Congress of the
Humanities and Social Sciences. Colour photograph self-portraits
developed from microscopic lenses.
2005 Ficto-Zoology | Gallery 96, Stratford, Ontario
Mixed media, drawings and photographs.
2005 Chocolate Bar | Video, 9 minutes
Spark Video, London, Ontario/Syracuse, NY, curated by Jeremy Drummond
and David Poolman, London Film Festival (2005).
2004 Samplesize.ca | Kelly Mark, curator
Colour photographs.
1999 Marked Up | Big Eyed Incorporated, Dufferin Mall, Toronto
Paintings in a series of works by emerging Toronto artists.
A W A R D S a n d P U B L I C A T I O N S
2022 Reframing the Archive, Vol. 2, Shaping Time: Photography and the Artistic
Construction of the Contemporary, Edited by Ana Catarina Pinho / Alexandra
Wilk / Gabriela Sá, Archivo Press, 2022
2018 Pannier, Michael, Landscape, Grand or Personal exhibition catalogue, the
South East Center for Photography, Greenville, South Carolina. Curated by
Eliot Dudik
2017 Ana Catarina Pinho, editor. Feature profile: Arnold Koroshegyi” in
ARCHIVOZINE, Spring Issue, no14, 2017, Porto, Portugal
2016 Kelly, Noel, editor. “Electroscapes: Arnold Koroshegyi at Platform Arts,
Belfast”, Visual Arts Ireland, Dublin
2016 Exhibition Assistance Grant, Ontario Arts Council, 2016
2016 Kenny, Amy. “Where did everybody go? WAHC exhibit looks at the
absence of workers” in The Hamilton Spectator, February 6, 2016
2015 Brook, Pete, “ Review: Nooderlicht Exhibition DATA RUSH” in Prison
Photography Oct. 23, 2015, prisonphotography.org
2015 Mercier, Clémentine. “Festival Datas Grandeur: Le Noorderlicht
Photofestival expose, entre autres, les excellents Electroscapes du
Canadien Arnold Koroshegyi” in Libération, October 2, 2015, Paris.
http://next.liberation.fr/images/2015/10/02/festival-datas-grandeurnature_
1395987
2015 Brook, Pete, “The Future is Now” in Vantage, September, 2015
https://medium.com/vantage/this-exhibition-sees-our-ties-to-datareveals-
the-future-is-now-3936fd02e771#.fpqrqatk4
2015 Keijser, Hester and Wim Melis, Data Rush, Nooderlicht Photofestival,
Exhibition Catalogue, August 2015
http://www.noorderlicht.com/en/archive/arnold-koroshegyi/
2015 Casper, Jim, editor.,“A preview of Nooderlicht PhotoFestival 2015” in
LensCulture, July 2015
https://www.lensculture.com/articles/noorderlicht-photofestival-datarush
2013 Mockler, Kathyrn, editor. Portfolios: Arnold Koroshegyi, The Rusty Toque,
Issue 4, February 15, 2013
http://www.therustytoque.com/art-arnold-koroshegyi.html
2012 http://canadianphotographyonline.wordpress.com/2012/07/18/websitelink-
arnold-koroshegyi/
2012 http://artprwire.wordpress.com/2012/05/03/art-gallery-of-mississauga-
9th-annual-auction-silver/
2012 http://axiomart.org/?p=626
2012 http://digboston.com/experience/2012/03/phantasmacollision
2011 Keijer, Hester, editor. “Arnold Koroshegyi, a Retro-Victorian Pioneer in
Imaging” in Mrs. Deane http://www.beikey.net/mrs-deane/?p=5199
2010 Lubelski, Abraham, Publisher. “Who’s Watching” in NY Arts, April 20, 2010.
2010 Allen, JN. “Data Dances: The Aesthetics of Surveillance”. Public: Art |
Culture | Ideas http://www.publicjournal.ca/ (Volume 40: Screens)
2010 Rhodes, Richard, editor. “Sorting Daemons: Big Brother’s Art--World
Gaze.” Canadian Art Online. Jan 28, 2010
2010 Allen, Jan, Kirsty Robertson and Sarah E.K. Smith. Sorting Daemons: Art,
Surveillance Regimes and Social Control Exhibition catalogue. Kingston,
Ontario: Agnes Etherington Art Centre, Queen’s University
2009 Best Photograph, Photography Unlimited | Foundry Art Center, St.
Charles, Missouri
2009 “CONTACT 2009: 50 Best Bets”
www.torontolife.com/features/contact-2009/?pageno=21
2008 New Media Grant, Ontario Arts Council
2007 Exhibition Assistance Grant, Ontario Arts Council
2006 “Artifice and Artifact” Canadian Art Online September
2007 “Image and the Apparatus” The London Free Press, April 2007
2006 Edelstein, Susan and Melanie Townsend. Image & Apparatus Exhibition
Catalogue
2006 Travel Grant, University of Western Ontario
2004-2006 Dean’s Award, University of Western Ontario
1996 Photo of Jacques Derrida and Mireille Calle-Gruber in Spirale, Journal of
Critical Theory, May 1996
1995 Photo of Hélène Cixous and Mireille Calle-Gruber in Entre Tiens, University
of Heidelberg Press, 1995
1991 Cover Photograph and Three Page Pictorial, Queen’s Arts and Science
Undergraduate Review, Vol. 3, 1991
P R O F E S S I O N A L P R A C T I C E
2023 Speaker, Panel Discussion, AI Curious, Republic of Ireland / Online
2016 Speaker, Panel Discussion, Open Space Gallery, Victoria, B.C.,
2016 Artist Talk, Platform Arts, Belfast, Northern Ireland
2016 Member, Society for Photographic Education
2015 Artist Talk, The Wilson Museum and Gallery, Cheltenham, United Kingdom
2015 Speaker, Panel Discussion, The Wilson Museum and Gallery, Cheltenham,
United Kingdom
2015, 2016 Artist Talk, Department of Visual Arts, University of Victoria
2011 Artist Talk, Sheridan College/The University of Toronto at Mississauga,
Oakville
2010 Artist in Residence, Mountain Standard Time Lab—A Thematic
Residency exploring the convergence of art, architecture, and landscapebased
research practice, Banff Centre for the Arts
2006-2007 Board Member, Forest City Gallery, London, Ontario,
2007 Artist Talk, Museum London.
2005 Member and Speaker, Organizing Committee, “How Soon is Now: Utopias
and Dystopias” Conference, The University of Western Ontario
2005-2006 Member, Steering Committee, ArtLab Gallery, University of Western
Ontario
A C A D E M I C A P P O I N T M E N T S
2007-2023 Sheridan College/The University of Toronto at Mississauga, Oakville
• Lecturer, LandMarks/Repères 2017 Special Topics FAS450Y (2016-2017)
• Lecturer, Photography I FAS147: Introduction to Photography
(2007-2023)
• Lecturer, Photography II FAS247: Intermediate Photography
(2007-2023)
• Lecturer, Photography IV FAS447: Independent Investigations in
Photography (2013-2014, 2022)
• Lecturer, Professional Practice FAS454 (2008)
2015 -Present University of Toronto, Scarborough
• Lecturer, Interdisciplinary Digital Art course VPSC70H3 (2023 - 2025)
• Lecturer, Image Culture VPSB02H3 (2025)
• Lecturer, Foundation Studies in Studio, VPSA62H3 (2022-2024)
• Lecturer, Digital Studio I, VPSA74H3 (2015-2024)
• Lecturer, Photography I, VPSB67 (2015-2019)
• Lecturer, Digital Studio II, VPSA74H4 (2016-2020)
• Lecturer, Digital Publishing, VSPB72H35 (2016)
• Lecturer, Theory and Practice: New Media, VPSC70H3 (2017-2023)
The University of Western Ontario, London
• Lecturer, Advanced Printmaking VAS 3330 (2008-2009)
• Lecturer, Contemporary Media 250a and 250b (2005-2006)
• Teaching Assistant, Advanced Photography 340 (2006)
• Lecturer, Contemporary Media 250a/Advanced Media 350 (Summer 2005)
• Teaching Assistant, Gallery Practices 285 (2005)
Capilano College, British Colombia
• Artist in Residence, Printmaking seminars (1992)
Arts Umbrella School, Vancouver, British Colombia
• Printmaking Instructor, Introductory through advanced printmaking
classes (1991-1993)
R E L A T E D W O R K E X P E R I E N C E
2001 - 2004 Ydessa Hendeles Art Foundation, Toronto
• Art Handler. Managed, handled and installed exhibitions as well as the
permanent collection. Responsible for classification, conservation and
matting of thousands of historical photographs in the exhibits Same
Difference (YHAF, Toronto) and Partners (Haus der Kunst, Munich,
Germany).
2001 - 2004 Max Dean, Artist
• Technical Assistant. Assisted in the installation and technical production
of Max Dean’s artworks exhibited at The National Gallery of Canada
(Ottawa), ZKM Center for Art and Media (Karlsruhe); Kiasma Art Institute
(Helsinki) and NTT InterCommunication Center (Tokyo).
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